If you want some pretty good reference links, I recommend reading these: Hoover Dam History – Artwork and 2012: Oskar Hansen’s Precession Design of Mayan Star Map – Hoover Dam Part I and Part II
As noted in the previous post, the dialogue from Transformers (2007) identifies the AllSpark cosmic cube as having been hidden inside the Dam in 1935. I asked if there might something special going on in the vicinity of Hoover Dam and Lake Mead that relates the Transformers cube and stated that some features of the Dam suggest there is. What I like to refer to as “tuning fork angels” in the Dam’s dedication area, plus a few other intriguing elements are features that compare to ancient monuments and “sacred sites” elsewhere. These appear to bear witness to Nephilim that may be buried and bound nearby in a hyperdimensional containment system. Let’s pick up that thread I started with the Transformers dialog.
“Tom Banachek: The First Seven came upon the Cube. We knew it was extraterrestrial because the symbols on its surface matched those on NBE-1. The Dam was built around it in 1935 to mask its signal. Four walls of concrete, as thick as four football fields, enable the Cube to avoid being detected by any humans, or any aliens from outside… ”
Transformers (2007) – IMDB
The AllSpark falling to earth alludes to Revelation 9 (which is referenced also in Rango, Part 22).
1 Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him. 2 He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit. 3 Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power. Revelation 9:1-3
I’m not saying the AllSpark refers to that very star from heaven (an angel) and that it’s dimensionally bound inside the structure of that Dam. I’m not saying it’s not, either, but let’s keep our eyes open and attend to what the Lord may reveal. There’s plenty more to consider. The place is Dammed and it may well be damned.
The Greek words for “bottomless pit” are abyssos phrear. Abyssos also means “unbounded.” A well, cistern or pit can only be bottomless or unbounded if you allow for a higher dimension into which a space opens. In the language of geometry, the most basic of such constructs is the hypercube. The place of the locusts is located beyond our familiar 3-space plus time.
You may recall how the presence of buried Nephilim was signaled in other scenes in Rango, in connection with adobe cliff dwellings during zombie apocalypse scenes (Parts 28, 29). Back in Part 44, I wrote: “The technological bridging construct through which the ancient gods are reintroduced into our domain seems to have two primary facets. One is the means of reentry for those bound in the earth at the time of the flood of Noah’s day, who received a sentence for a set season, seventy generations, and whose containment involves an implicit time lock.”
11) And the Lord said to Michael: “Go, inform Semyaza, and the others with him, who have associated with the women to corrupt themselves with them in all their uncleanness. 12) When all their sons kill each other, and when they see the destruction of their loved ones, bind them for seventy generations, under the hills of the earth, until the day of their judgment and of their consummation, until the judgment, which is for all eternity, is accomplished. 1 Enoch 10:11-12
I see evidence that suggests a global network of hypercubes that are containment cells, within or by means of which the agents held responsible for the flood of Noah’s day are bound. The time
lock mechanism was set for release after the passing of 70 generations. Although it’s not the only witness to this, allusion does appear to be made by the movie Cube 2: Hypercube, with its imprisoning cube’s duration set for 6:06:59.
Aaron Hermann and I see pretty convincing evidence that the Adversary is bent upon springing the time lock on this containment grid for an early release, and we believe he’s going to be granted success. At this development, the sovereign Lord will neither be surprised nor unprepared. The means of jailbreak will come via a combination of magick ritual (sex, blood, torture, animal and human sacrifice, chimeric merging of species) and the exploitation of physics, most particularly involving phased and tuned non-EM and EMR wave energy. I believe what’s being sought through CERN’s LHC project is to the end of engaging this army according to Revelation 19:19.
In light of that potential, the government branding appended to the monument is rather ominous. Department of the Interior – Bureau of Reclamation. Are they all about reclaiming something from the interior? The occult pyramid/inverted pyramid Hermetic Maxim logo suggests they are. The Venetian blinds effect signals the requisite obfuscation of intent, as the controlled filtering of light. There’s a concealed letter “M” signaling the Beast number 13 and the pyramid inside the elliptical eye of Horus, inverting the familiar Federal eye inside the pyramid cap.
The Lord has been granting insight into these things I’m expressing recently and I’m not the only one learning and bearing witness. I’ve just started reading The Cosmic Chess Match by L. A. Marzulli. In it, I’m finding what you may consider as another witness to what the Lord has been showing me. He writes in “Chapter 5: Nimrod & the Tower of Babel” about the builders (page 37): “I believe that these people were engaged in occult activities in order to open the portals so that the fallen ones could come back on the earth.” What I’ve been writing in the last few posts suggests this may have been among their ways and means.
The feature of the Dam that first grabbed my attention was the winged guardians. These link the Dam to the many ancient “sacred sites,” temples and monuments where giant and sometimes chimeric guardians are found. I’ll share how the the Lord directed my attention to these angelic figures, which is relevant, but first I want to present some excerpts from Tom Horn’s studies. Note how doorways were guarded with figures that were the subject of magick ritual, even winged figures. Note how a box called the kiste was used in connection with binding magick, which is perhaps an emblem of the hypercube.
“To close the doorway to evil spirits in Babylon and Assyria, colossal enchanted creatures built under elaborate ceremonies and blessed by names of good omens flanked the palace entries and towering gates of cities while extra precaution was provided through winged figures holding magic devices cleverly concealed beneath the entryway floors. It was also important in ancient times to defend ones personal property and private residence against fiendish undesirables, therefore apotropaic (an adjective meaning “to ward off evil”) devices were placed in home doorways, windows, fireplaces and chimneys, while charms, bracelets, and talismans were worn upon the body to protect the individual themselves.”
“The Hebrew prophet Ezekiel made an interesting statement about such “magic bracelets” (kesatot), which were worn upon the body and somehow bound spirits. We read, “Wherefore thus saith the Lord God; Behold I am against your pillows [kesatot, “magic bands”] wherewith ye there hunt the souls to make them fly, and I will tear them from your arms and will let the souls go, even the souls that ye hunt to make them fly” (Ezekiel 13:20). The kesatot was a magic arm band used in connection with a container called the kiste. Wherever the kiste is inscribed on sarcophagi, it is depicted as a vessel with a snake peering through an open lid. How the magic worked and in what way a spirit was bound or loosed is a mystery, but a noteworthy verification of the magical properties represented by these utilities is discussed in the scholarly work Scripture and Other Artifacts by Phillip King and Michael David:”
“In the closing verses of Ezekiel 13 the prophet turns his attention to magic practices whose details remain obscure. Two key terms are kesatot and mispabot…The kesatot are “sewn” on the arms, while the mispabot are made “on the head of every height” (?), which has been understood to mean “on the heads of persons of every height”…”
FORBIDDEN GATES – PART 4
In the following, Tom had been following the above very closely, and he elaborates.
“The text in Ezekiel is believed to specifically refer to Dionysian or Bacchanalian magic, which is important in the context of this blog series when combined with a related two-part “binding” and “loosing” question from God in Job 38:31: “Canst thou bind the sweet influences of Pleiades, or loose the bands of Orion?” The first part of God’s challenge to Job here involves the star cluster Pleiades, which in mythology represented the Seven Sisters or teachers of the infant Dionysus, the very priestesses of whom used the kesatot and kiste to magically “bind” those souls that Ezekiel said God would “loose.” The second part of God’s proposition to Job is equally meaningful, “Can you… loose the bands of Orion?” Studies in recent years have made intriguing findings that suggest the Giza Plateau—which according to Zahi Hawass (current Secretary General of Egypt’s Supreme Council of Antiquities), was known to ancient Egyptians as the “House of Osiris, Lord of the Underground Tunnels”—was designed to reflect the constellation Orion. The three pyramids of Giza do appear to be laid out in a pattern reflecting the three stars of Orion, which is none other than the heavenly representation of Osiris.”
READ IT BEFORE IT’S BANNED BY THE US GOVERNMENT – PART 19
While many assign belief in magical guardians and supernatural bindings to the merely superstitious, a reading of Ezekiel 13:17-23 confronts Bible believers with convincing testimony that magical binding of spirit is real and that it involves rituals and physical elements in our 3-space plus time. Hoover Dam compares to ancient sites, with winged guardians and even reference to the Pleiades in a detailed star map!
was led to discover the winged figures at the Dam during some directed research into the role of acoustics in dimensional boundary manipulation. When I first laid eyes on these figures I immediately identified them as “tuning fork angels.” These 30 foot high “Winged Figures of the Republic” were each cast in bronze in a continuous molten stream, not unlike how bells are cast. The 142-foot flagpole between them resembles an antenna, relative to the tuning fork angels. It calls to mind a Theremin (Thanks David C), a musical instrument with an antenna that works on electomagnetic wave principles, varying frequency and amplitude using proximity sensors that detect the player’s hands. I’ll expand on the role of these elements shortly. These three elements
may be considered as antennas for broadcasting or receiving.
The ongoing TV series Fringe plays heavily on the use of technology to bridge dimensions. The image you see here shows a demonstration that was set up to illustrate the principle being used to open the portals through which objects and beings were passing into our universe. Three tuning forks were used to resonate a region containing the migrating object. I see the Winged Figures of the Republic as tuning forks.
The tuning fork angels are seated upon black stones that exhibit the style of cubism. These cubes are angel thrones of black stone. The Dam itself is in Black Canyon. A canyon is defined as a narrow chasm with steep cliff walls, cut into the earth by running water. The walls are stone. Black Canyon; a Black Stone Chasm through which water flows in a control gated mechanism. There can be no dispute that there is an enormous amount of energy represented at that location, which must be considered a power node. File this away, as I still intend to feature the meaning of the rising black stones in the scene where Rango falls to earth, Lord willing!
The Dam’s dedication area features a star map, which you can read about here, 2012: Oskar Hansen’s Precession Design of Mayan Star Map – Hoover Dam Part II. Like many ancient sites, and those not so ancient magickal sites as may be found scattered across the globe, there’s a reason why the Dam is where it is and why the terrestrially anchored elements are aligned, linked and thus bound to the celestial lights. The terrestrial and
celestial grids are bound together in time. It’s in the record of Genesis, the subject of the 4th day of creation. Biblical astronomy derives from this reality and the occult arts of astrology have exploited and continue to exploit and will further exploit the reality of this grid to grid link.
You see in this image of a star map at the Dam, the prominent name, Alcyone. Alcyone is the name of a star in the Pleiades, referenced above in Job 38 in the context of binding. The star is a metaphor for an angel, and there is a legendary giant named Alcyoneus, a star child, hybrid angel human, Nephilim. Legend has it he was created to destroy the gods. Is Alcyone, the named star of the star map at the Dam, indicating that Alcyoneus is the subject of magickal binding at the facility?
At Theoi.com, it is suggested that Alcyoneus “may be the same as Eurymedon, the king of the Gigantes mentioned in the Odyssey.” Earlier in this post I wrote that the AllSpark falling to earth in Transformers alludes to Revelation 9, where we learn a star that fell to earth was given the key to the bottomless pit. This star was later in that chapter identified as Apollyon or Abaddon.
They have as king over them, the angel of the abyss; his name in Hebrew is Abaddon, and in the Greek he has the name Apollyon. Revelation 9:11
Perhaps Alcyone is that star and Alcyoneus is that angel, alias Apollo and Horus.
the name Alcyoneus seems familiar it may be through the popular work of fiction titled Longwalkers by Steve Quayle and Duncan Long. Steve says many of the elements of the book are factual, based upon what he’s learned from research over many years. They present this Nephilim giant in the same way Revelation 9:11 speaks of the angel of the abyss, as the king over the Nephilim. In the book, Alcyoneus was found and released from binding in what is now Turkey inside Nemrut Dagi, Mount Nimrod, the Throne of the Gods. That place is considered by many to be the burial place of Antiochus Epiphanes, desecrator of Jerusalem’s Temple, who forced worship of Zeus and remains to this day one of the most widely recognized types of Antichrist.
The Grand Canyon, located not that far from Hoover Dam is another area identified in Longwalkers as a holding facility for Nephilim.
Whether there is a Nephilim king named Alcyoneus and whether he might be inside either Hoover Dam or Mount Nimrod, we shall see.
While there’s plenty I don’t know, the following items highlight the Black Canyon gateway work as a place of notable interest.
The design of Hoover Dam resembles that of the Altar of Zeus, which is famously referenced in Revelation 2:13 as “Satan’s seat” and “where Satan dwelleth.” The Dam compares to other models like the Zeppelintribüne, built for Nazi rallies in Nuremberg, the stage set for Obama’s 2008 presidential nomination in Denver, CO and Cecil Rhodes’ Memorial on Devil’s Peak, Cape Town, SA. The Dam is very thick at the base, so that volume compares to the quad inside the Altar of Zeus.
From observers at the Dam, the new bypass “rainbow bridge” forms a bow in the clouds, like the contents of Rango’s umbrella drink as he “traveled the Bifröst,” falling to earth.
The eagle spread before the acoustic array features a cloud bow, through which portal the starry heavens appear. The identity of the eagle may be Alcyoneus and company, suggested perhaps by Oskar Hansen’s explanation of the winged figures.
“The building of Hoover Dam belongs to the sagas of the daring. The winged bronzes which guard the flag, therefore, wear the look of eagles. To them also was given the vital upward thrust of an aspirational gesture; to symbolize the readiness for defense of our institutions and keeping of our spiritual eagles ever ready to be on the wing.”
Hoover Dam History – Artwork
“There were 112 deaths associated with the construction of the dam. Included in that total was J. G. Tierney, a surveyor who drowned on December 20, 1922, while looking for an ideal spot for the dam. He is generally counted as the first man to die in the construction of Hoover Dam. His son, Patrick W. Tierney, was the last man to die working on the dam’s construction, 13 years to the day later.”
Hoover Dam – Wikipedia – Construction Deaths
Who is sovereign over such things as life and death? My God is. The first and last men claimed to die in the project were father and son, sharing the most basic DNA connection and linked in life and death. The time span of exactly 13 years to the day stamps the Black Canyon work with the number 13, which is the number most strongly identified with the Beast and related times of revealing. See The Number Thirteen (The Sign for the Bride -Part 3) where I provide documentation of this feature, where the extent to which this point can be made is almost stunning.
The number also means, “rebellion,” and “Lord.” The sign derives the time signal of 13 from two men named Tierney. The meaning of ‘Tierney’ is “Lord, Master.” That’s the meaning of Ba’al. On one hand, this sign testifies to me that the sovereign Lord God oversees this work and every aspect of it. On another hand, it speaks of the times of revealing (Marian/Isis apparitions) and the Beast, and Ba’al -and Alcyoneus? The worship of a Ba’al is to the demon god of a locale, a region, a principality. At the Dam, would this be Alcyoneus?
Compare AllSpark ~ Alcyoneus
Is the Hoover Dam built around the “AllSpark” Alcyoneus?
According to the line from Transformers: “The Dam was built around it in 1935 to mask its signal.”
1935: 1+9+3+5 = 18 = 6+6+6
Is this reference to the building of the Dam around the cube in 1935 an instance of signaling the cube number 6*6*6, comparing to what I’ve presented about the movies Pi and Cube 2? I think so! Those reference a cubic name key, possibly to abyssos phrear, the bottomless pit of Revelation 9, which may be for the release of those bound in the earth adjacent to our time and space.
It was in 1935 that J. Edgar Hoover started the FBI. Although the controversial naming of Hoover Dam officially involves the 31st president, Herbert Hoover, I’m not the only one to think rather that this was a tribute to the esoteric and famous Freemason and homosexual J. Edgar Hoover. The Dam was a Masonic work of massive scale. It was in 1935 that the Great Seal was incorporated into the design of the Federal Reserve’s one dollar bill under Freemasons FDR and Henry Wallace (with associate Nicholas Roerich), an act that has had an enormous impact upon the world.
I was just told by a journalist that there are Satanic rituals performed there nightly, at 3:30 am, and that the place is called the Womb.
The man responsible to design and build something fitting for the dedication area obviously knew things. He had been changed by a near-death experience. He was commissioned by the Masonic government for the monumental work.
Oskar J. W. Hansen was a very unique and special man. Besides his military service in the US where he rose from a Private to Major of the US Army, he was esoteric, almost dealing with the occult, but very spiritual and his ‘near-death experience’ changed his philosophy of life.
From one of his speeches in 1928 that reminds me of the Maya language development, he expressed, “Man has always sought to express and preserve the magnitude of his exploits in symbols. The written words are symbols arranged so as to preserve in objectified form the thought of man and to record his variant states, both mental and physical. All other arts are similar as to their symbolic significance. They take their place among the category of human endeavor simply as the interpreter of life to itself. They serve as an outer object typifying the inner process. They form the connecting link between the spiritual and the material world. They are the shadows cast by the realities of the soul.”
2012: Oskar Hansen’s Precession Design of Mayan Star Map – Hoover Dam Part II
If you read the links I posted for reference at the beginning of this post, which I strongly recommend, you’ll have a better sense of the esoteric language Oskar employed to describe this work.
There has been lots of documented seismic activity at the si